Last
updated 22 May 2024
Adam Miller, Wellington, New Zealand
Labels are Australian, unless otherwise noted. Many of the larger labels
were pressed on both sides of the Tasman Sea.
Also included are foreign labels solely intended for the Australasian market.
A B C D E F G H I J K L M
A
AERONA
Made in England by the Crystalate Mfg. Co, prob.
imported into Australia by Salkeld & Wallace Ltd, wholesale distributers of
Sydney. Almost all issues under pseudonyms.
100 |
mid
26 |
201 |
early
27 |
AEROPLANE (Flexible)
Produced by the Unbreakable Disc Records Co, Melbourne
(successors to World Record Australia).
Mainly Banner (Plaza) masters (some derived from Bell or NYRL), all issued on
pseudonyms.
100
to |
28 |
AIDA
One of a number of 1950s labels catering to Australia's immigrant population.
All sides are Hungarian gypsy music by Gyuri Patko & His Orchestra.
From matrix, appears pressed by Columbia Graphophone (Aust)
Pty Ltd.
101
to 112 |
55 |
[More data sought]
AMPERSAND
Jazz label from William Miller (Melbourne) started in September 1943. The
10" series ran to 36, there was a 12" from 1201-1206 and some
10" re-issues from US sources R101 to R105. All but 26/27 issued on vinyl
rather than shellac. Production of 78s ended in 1955.
ANGELUS
From late 1928 to mid 1931. Drew on US Cameo,
Gennett, Crown, Paramount & Grey Gull, English Imperial.
Black then purple labels
AN- 10" (AN dropped after 3037)
3049 |
12/28 |
3117 |
29 |
3243 |
30 |
3357 |
31 |
then to LYRIC. CLIFFORD 3000 series ran in parallel.
Black on yellow series used UK Imperial masters. The Clifford 4000 series
ran in parallel.
1001-
|
31 |
ARCADIA
From late 1929 to early 1930. Manufactured by Melbourne Vocalion,
probably for Edments chain stores. Masters
mainly from American Plaza/ARC, under pseudonyms.
2000- 10"
2001-
|
29/
|
ARTRANSA
The Artransa Company was formed in 1940 initially to
manufacture transcription discs for radio.
Pressed in both Australia and New Zealand.
A 10"
001 |
mid
49 |
027
|
mid
51 |
AUROTOR
NZ label - recorded by Rotorua Radio Ltd, pressed by Stebbings. Aurotor is Rotorua backwards.
1-6 |
1959 |
AUSTRAL
Pressed by World Record (Australia) Pty Ltd - a Pemberton-Billing outfit.
1
to 164 |
25 |
then to CONDOR.
AUSTRAL DUPLEX
"Unbreakable" - 1/4" thick layers of cardboard with a thin
shellac coating. Gold, or gold & blue. These were the first
records to be both recorded and pressed in Australia.
1
to 68 |
25 |
AUSTRALIAN JAZZ
From Melbourne Jazz entusiast, recording on a Pyrox wire recorder were transferred to
10"/12"/16" recordings.
Late 1940s - 1951.
AVALA
One of the bunch of 'ethnic' labels that sprung up in
the 1950's, including Aida & Cosmopolitan. Yugoslavian material.
AWA
AWA (Amalgamated Wireless (Australasia)) produced the
Radiola record, as well as Custom recordings.
B
BEEDA
Pressed in the USA by Plaza.
100
to 116 |
25 |
1000
& 1001 |
7/25 |
A singe issue 684 was produced by Compo Canada on
special request.
BELLBIRD
100
to 151 |
30 |
300
to 321 |
31 |
BETA
New label pasted over Winner
100
series |
18-21 |
2000 |
18-21 |
BLACK DIAMOND
A sole issue known, pressed in the UK c1915, bearing a patriotic song about the
Anzac's Gallipoli landing by the Australian composer Reginald Stoneham.
BLUE STAR
Produced at the same time as CIRCLE and WILCO. Used French BLUE STAR masters.
101
- 103 |
50/51 |
BON MARCHE
100 10"
Made in England by Imperial, mix of US and UK masters.
100-255 |
c.
27 |
1000 10"
Made in USA
1000-
|
late
26 to 27 |
BROADCAST
8"
Pressed by Vocalion, Melbourne.
All in 1928-30
BROADCAST DE LUXE (10")
Pressed by Vocalion, Melbourne.
W500- 10"
500
to 648 |
mid
29 to mid 30 |
BROADCAST TWELVE (10") really!
Pressed by Vocalion, Melbourne.
1929-30
BRUNSWICK
Data fragmentary but where a series is also listed in Barr, the fit is good.
405 |
12/30 |
519 |
9/31 |
A bunch of other series exist, more work required.
6000 10"
6000
- 6139 |
early
1931-32 |
10000 10" Gold on Purple.
10155 |
6/26 |
15000 10"
15198 |
7/29 |
15218 |
7/30 |
20000 ?"
20022 |
12/26 |
20087 |
7/29 |
30000 12"
30110 |
12/26 |
50066 |
12/26 |
50156 |
7/29 |
70000 ?"
77004 |
7/29 |
90000 ?"
90008 |
7/30 |
C
CAMDEN
Paste-over label on English Vocalion (1927) to be
retailed by Buckinghams, Sydney.
CAPITOL (1)
Paste-over label on English (1926), and later local Parlophone
and less commonly Columbia (1927-31). Any relation to the Mocklers
Special "The Capitol" paste-over label?
10"
on
UK Parlo |
26 |
on
local |
27-31 |
039 |
49 |
328 |
54 |
1001 |
3/56 |
1251 |
6/57 |
CK children's series
CARINIA
A label catering to Australia's large post-WWII East European immigrant population. Reissues from Jugoton (blue) and Orbis Polonia UK (red)
CENTURY
1000- 10" (DD prefix on 1010 & 1011)
1001 |
1950 |
CY 1000 10"
1015-27 |
1950 |
2000- 10" (Various prefixes M, V, S, 0- all from Boosey & Hawkes Mood Music catalogue)
various |
1950 |
CENTURY PARTY RECORDS
A division of Austin Business Service Pty Ltd, 141 York St, Sydney.
Issued a Racing game on record with 6 parallel tracks per side.
Pressed in both NZ and Australia by HMV as a process recording, sold for 19/6.
12"
PRX3736 |
late
50's |
CETRA
Distributed by the Minstrel Record Co. Ethnic recordings.
100- |
50's |
[More data sought]
CIRCLE
Produced at the same time as the WILCO and BLUE STAR. Used American CIRCLE
masters.
0101
- 0106 |
50/51 |
CGD
Recorded in Italy by the Compagnia Generale del Disco, pressed in Australia for The
International Record Co.
mid 1950s
CLARITÉ
Pressed by Plaza, USA.
10"
801 |
late
26 |
840 |
mid
27? |
CLIFFORD
Clifford Industries produced many labels, including
ANGELUS, PARAMOUNT, ELECTON, EMBASSY, GRACELON, MELOTONE, ORPHEUS, PLAZA,
REGENT, STARR, STERLING, WORTH, GRAND PREE and GOLDEN TONGUE, all in the space
of 3 years. Many masters were pressed on multiple labels, under various
pseudonyms.
5000- 10"
5180
- 5335 |
28
to 31 |
This series mirrored on ANGELUS 3000- series.
4000- 10"
4001
- 4035 |
31 |
This series mirrored on ANGELUS 1000- series.
COAST
From the U.S. contemporary label. NZ numbers differ sometimes from the
Australian for the same title.
001-
|
late
49/ |
COLONIAL
Produced in Germany by Homophon gmbh
from 1910 for Lockwoods of London (trading as the Perophone Co.). Not sold in the UK, these were
exported to Australia until WW1 stopped things.
COLONIAL PEROPHONE
A follow-on label from COLONIAL, leading on to PEROPHONE.
COLUMBIA
0517 |
7/26 |
0533 |
12/26 |
0720 |
8/27 |
0786 |
11/27 |
0917 |
1/28 |
01122 |
6/28 |
01475 |
7/29 |
01677 |
11/29 |
01923 |
7/30 |
02936 |
7/29 |
0 10" light blue
03510 |
12/27 |
0 12" light blue
04263 |
7/29 |
04348 |
11/29 |
05055 |
1/30 |
"Potato-face"
label
0 10" Whiteman
07001 |
9/28 |
07017 |
7/29 |
07027 |
11/29 |
07043 |
6/30 |
0 12" Whiteman
07501 |
9/28 |
103 |
8/56 |
105 |
12/56 |
DNZ
10"
10027 |
8/56 |
10086 |
8/57 |
10109 |
12/57 |
10129 |
3/58 |
10145 |
8/58 |
94 |
6/30 |
210 |
12/30 |
423 |
9/31 |
780 |
9/32 |
969 |
11/33 |
1375 |
8/35 |
1609 |
2/37 |
1705 |
12/37 |
1763 |
6/38 |
1838 |
2/39 |
2064 |
10/39 |
2059 |
6/40 |
2220 |
7/41 |
2337 |
2/42 |
2495 |
9/42 |
2537 |
5/43 |
2619 |
12/43 |
2699 |
10/44 |
2789 |
12/45 |
2896 |
12/46 |
3075 |
12/47 |
3206 |
12/48 |
3286 |
7/49 |
3347 |
7/50 |
3370 |
11/50 |
3396 |
51 |
3579 |
6/53 |
3635 |
54 |
3750 |
8/55 |
3798 |
9/56 |
3838 |
3/57 |
3882 |
12/57 |
3960 |
5/58 |
Some DO- series featuring Maori Music has a special label
70000 |
4/53 |
70246 |
2/56 |
DOX 12"
8 |
6/30 |
74 |
12/30 |
208 |
9/31 |
300 |
8/32 |
479 |
11/33 |
501 |
12/35 |
515 |
2/37 |
551 |
7/38 |
596 |
8/39 |
639 |
7/41 |
715 |
12/43 |
725 |
10/44 |
746 |
12/45 |
806 |
12/46 |
882 |
12/47 |
974 |
8/48 |
KO 8" Childrens - early series
1-6 |
12/31 |
to
18 |
KO 6" Childrens - late series reusing old numbers but different
material. Pressed in multicoloured vinyl.
Late 1950s.
LOX 12"
5 |
6/30 |
52 |
12/30 |
128 |
9/31 |
178 |
11/33 |
216 |
8/35 |
279 |
2/37 |
332 |
12/37 |
365 |
7/38 |
408 |
8/39 |
429 |
6/40 |
484 |
7/41 |
493 |
2/42 |
526 |
5/43 |
542 |
12/43 |
564 |
10/44 |
578 |
12/45 |
638 |
12/47 |
ROX 12'
168 |
37 |
210 |
late
37 |
969 |
c.43 |
1384 |
50 |
1645 |
4/52 |
2795 |
7/56 |
12" 100 series from the UK was also pressed in Australia
1950's
CONDOR
Pressed by World Record (Australia) Pty Ltd.
C100- 10" (follows from AUSTRAL)
153
to 172 |
25 |
CONSTELLATION
Made by EMI (Aust) for Don Harper Musical
Enterprises, Mitcham, Victoria. Don was very much into Square Dancing,
although a children's series was also made.
10", 1950s.
[More data sought]
CORAL
Pressed by Festval Australia.
CS- 10"
957 |
8/56 |
1149 |
12/56 |
1233 |
3/57 |
1298 |
6/57 |
1521 |
9/57 |
1576 |
3/58 |
CORONET
KP- 10"
049 |
12/56 |
112 |
6/57 |
149 |
9/57 |
177 |
12/57 |
200 |
3/58 |
209 |
6/58 |
COSMOPOLITAN
One of the bunch of 'ethnic' labels that sprung up in
the 1950's, including Aida & Avala. Russian material.
10", 1950s.
[More data sought]
CRICKET
7", 'bonus play' Children's label from W&G
XKP 238 12/56
[More data sought]
D
DAHLMONT
Found as a sticker label over English Vocalion and
ACO (rare, 1925/26). Also a pressed record by
Plaza, USA. The pressed label carries a credit for the "Myer
Emporium", in Melbourne and was a contemporary of CLARITE and BON MARCHE.
101
to 129 |
27 |
DECCA
Australian DECCA (Moulded Products Ltd, Melbourne)
M- 10" Masters mainly English Decca and Vocalion.
1000 |
early
32 |
1221
|
early
33 |
EMI DECCA (Sydney)
1145 |
36 |
1431 |
6/38 |
1731 |
2/40 |
1761 |
4/40 |
1877 |
2/41 |
1940 |
7/41 |
2001 |
2/42 |
2089 |
5/43 |
2122 |
12/43 |
2148 |
10/45 |
2191 |
12/45 |
2221 |
12/46 |
2247 |
12/47 |
2265 |
9/48 |
5000 |
?36 |
5174 |
12/37 |
5201 |
7/38 |
5244 |
2/39 |
5345 |
8/39 |
5433 |
6/40 |
5581 |
7/41 |
5653 |
2/42 |
5820 |
12/43 |
5861 |
10/44 |
5892 |
8/45 |
5917 |
12/45 |
5947 |
6/46 |
5982 |
12/46 |
6048 |
12/47 |
6119 |
12/48 |
6128 |
3/49 |
6223 |
7/50 |
6257 |
11/50 |
6390 |
52 |
6417 |
4/53 |
Z 12"
700 |
?36 |
752 |
12/37 |
801 |
2/41 |
810 |
8/41 |
835 |
12/43 |
840 |
12/45 |
888 |
12/47 |
931 |
12/48 |
946 |
3/49 |
DEC- 10" NZ pressed
108
|
3/57
|
124 |
6/57 |
162 |
12/57 |
175 |
3/58 |
192 |
10/58 |
DIAPHON
A subsequent label to ROSEVILLE by Graham Connolly. Transcribed from Pyrox wire recordings.
Most were 33rpm, but a few 78rpm were released.
10" DS
1-3 |
8/53 |
4 |
6/54 |
10" MTG (Multi-Track Groove - 2 songs/side)
1-2 |
6/54 |
Pressed between 1928 and 1929 by Clifford Industries, for Coles stores, thence Embassy. Masters from Cameo, Romeo and Gennett.
10"
5000-5123 |
28-29 |
ELMAR
Another of the small jazz labels started in the post-1945 boom. Elmar
was started in Sydney by Norman Lineham, who
registered the name in July 1948. Several sessions were recorded, but only
Elmar 2 was issued, in October 1948.
EMBASSY
8000 10" (by Vocalion Foreign) Masters mainly Plaza/ARC.
8000
- 8114 |
29-30 |
9000 10" (by Clifford Industries)
9130
- 9330 |
30 |
E 10" (by Brunswick Australia)
100
to 155 |
31 |
WB- 10"
232 |
9/57 |
ESQUIRE
D 10" (Discovery)
131 |
10/51 |
1006 |
10/49 |
also a few in an R3000 series
5000 10" (Mercury)
5xxx |
c.
50 |
5- 10"
075 |
6/57 |
080 |
9/57 |
EVANGEL
A Process recording, from Columbia Graphophone (Aust)
Pty Ltd, covering religious music.
10", 1950s
[More data sought]
EXCELOPHONE
Produced in Germany (later Invicta Record CO in the UK) from 1913-c1915 for
John G. Murdoch & Co, London, for sale in Australia via Macrow's.
Some were also a stick-over label on Guardsman. There were several
series - 100, 2000, 5000 and 8000.
Pressed in England for Australia.
6" 1000 and 300 series
mid 1920s
FESTIVAL
Formed in October 1952, initial issues were on the Manhattan label.
803 |
55 |
874 |
3/56 |
964 |
8/56 |
1142 |
12/56 |
1192 |
3/57 |
1426 |
8/57 |
1565 |
12/57 |
FK 10"
3014 |
5/58 |
FW 10"
117 |
60 |
DW 10" (Country & Western)
01-04 |
2/57 |
039 |
6/58 |
EPM- 10" Extended play (2 tracks/side)
FIDELITY
Introduced c. August 1951 by Fidelity Radio Pty Ltd, of Sydney. FRPL
started in 1938 selling transcription records to radio stations. The bulk of
the recordings featured Bobby Limb, his wife Dawn Lake or associate Johnny
O'Connor.
1001
to 1078 |
51
to 56 |
FOSSEY'S
A paste-over label on US Regal and Oriole, for Fossey's store, 403-411 George
St, Sydney.
mid-1920's
G
GAIETY
Pressed by Vocalion Australia.
P- 10" Masters from English Vocalion and USA Gennett. Labels in green, then red.
100
- 123 |
27 |
There appears to have been a single slightly earlier issue, serial 200 (no P- prefix)
GIBSONA
All 19 issues in 1925-26
(Label pasted over Lincoln, from 2113 to 2364. Some black on gold, others
silver on black.)
GLOBE RECORD
A pre-WW1 contract pressing from Homophon gmbh, for export to Australia. Both Beka and Favorite masters were used.
GOLDEN RECORDS
6" coloured vinyl childrens records. Pressed
by Golden Press Pty Ltd, in arrangement with Simon and Schuster (USA).
Late 1950s.
GOLDEN TONGUE
C- 10" flexible (Pressed by Unbreakable Disc Records, Brighton)
100
to 115 |
28 |
Later series was conventional shellac, pressed by Clifford Industries.
CW100- 10" (Craig Williamson store)
100
to 152 |
28/
|
then to
MC- 10" (Marcus Clark store)
153
to 187 |
29 |
GRACELON
Pressed by Clifford Industries for the Sydney Department store Grace Bros.
4000- 10" Masters from USA Cameo and Gennett.
4001
to 4034 |
late
29 |
GRAND PREE
Initially paste-overs on UK Winner, then pressed in England by Actuelle, apparently for the Perpetual Trading Association.
Last few pressed locally.
Gxxx 10" (Winner number with first digit
dropped, then later replaced by G)
1920-23
18000
to 18600? |
23-27 |
Finally presed in Australia
by Clifford Industries.
18700 10"
18700
to 18746 |
28 |
H
THE HERALD
Pressed by Edison (mainly) in England for export to New Zealand, see also MINSTREL
1-127 |
13 |
1000 10" Beka masters (pressed by Beka London?)
1000-
|
13 |
Serial numbers given are the highest seen to date.
HMV
The UK B series was pressed in Australia also.
There were many local series.
EA 10"
72 |
1/27 |
263 |
3/28 |
466 |
3/29 |
480 |
7/29 |
590 |
11/29 |
637 |
2/30 |
708 |
7/30 |
792 |
12/30 |
836 |
3/31 |
873 |
6/31 |
901 |
9/31 |
953 |
1/32 |
1150 |
12/32 |
1189 |
6/33 |
1257 |
12/33 |
1325 |
6/34 |
1737 |
35 |
1880 |
8/37 |
1953 |
12/37 |
2043 |
7/38 |
2319 |
8/39 |
2444 |
6/40 |
2686 |
7/41 |
2764 |
11/41 |
2987 |
5/43 |
3060 |
12/43 |
3142 |
10/44 |
3218 |
8/45 |
3274 |
12/45 |
3405 |
12/46 |
3572 |
12/47 |
3725 |
9/48 |
3785 |
2/49 |
3924 |
11/50 |
3982 |
51 |
4033 |
52 |
4103 |
52 |
4114 |
7/53 |
4221 |
3/55 |
4276 |
9/56 |
4319 |
3/58 |
EA
50000 10" (ex US Grand Award and Prom labels.)
50001 |
7/53 |
50007 |
7/54 |
then to
EA 51000 10"
51001 |
12/54 |
51005 |
3/54 |
51022 |
5/56 |
51039 |
1/57 |
51056 |
10/57 |
51064 |
5/58 |
EA 60000 10"
60001 |
11/57 |
60007 |
3/58 |
EB 12"
42 |
2/30 |
98 |
8/37 |
111 |
6/38 |
132 |
8/39 |
141 |
8/41 |
187 |
5/43 |
221 |
10/44 |
340 |
12/46 |
397 |
12/47 |
38 |
8/37 |
49 |
6/38 |
56 |
6/40 |
63 |
7/41 |
101 |
5/43 |
112 |
12/43 |
119 |
10/44 |
132 |
12/45 |
146 |
12/46 |
167 |
12/47 |
ED 12"
5 |
25 |
13 |
7/30 |
17 |
3/31 |
46 |
32-3 |
48 |
6/41 |
190 |
5/43 |
254 |
12/43 |
282 |
10/44 |
350 |
12/45 |
438 |
12/46 |
532 |
12/47 |
548 |
9/48 |
1 |
54 |
18 |
55 |
31 |
55 |
68 |
8/56 |
78 |
12/56 |
84 |
6/57 |
86 |
12/57 |
6004 |
8/57 |
6013 |
3/58 |
10269 |
8/56 |
10285 |
12/56 |
10296 |
8/57 |
LA 10"
2 |
53 |
6 |
53 |
TA 8"
Childrens records, pressed in yellow vinyl. Late 1950s.
J
JAZZART
Melbourne speciality label. Clemens' Musical Services, 31 Little Collins St.
1
to 62 |
48
to 52 |
JOHN MYSTERY'S
John Mystery was a Woolworth's identity and writer of children's stories.
Pressed by Recording Centre Pty Ltd, Sydney (RCP).
Various series JM (children's, coloured vinyl), NJ (New Jazz), 1000-, DD (Dual
Disc), TP (Top Pops), W .
10", 1949-50
A series of record-postcards were also produced.
K
KALOPHONE
Produced by Beka UK for export to Australia, where their agents were the piano
manufacturers Beale & Co. Labels were black (10" Grand) and pink (12" Master) and both featured the Lyre
bird.
KISMET
Made by Parlophone Australia. A few issues, including
the first three issues, were locally recorded, then English Parlophone
or US Okeh masters (including the Bix Beiderbecke
Gang ex Okeh 41088 on K722) were used.
700
- 742 |
late
28 to late 29 |
LARONDO
Recorded in Italy by Fonodisco Italiano, Milan, and
pressed in Australia by The International Record Co.
mid-1950s
10137 |
25-6 |
LONDON
NZL-
10"
106 |
9/56 |
147 |
3/57 |
163 |
5/57 |
204 |
8/57 |
258 |
12/57 |
285 |
3/58 |
311 |
6/58 |
335 |
9/58 |
342 |
10/58 |
Also Australian-pressed L- and HL- series.
L- 10"
500 |
11/49 |
680 |
5/50 |
1028 |
5/51 |
1153 |
12/52 |
1190 |
8/53 |
1232 |
1/54 |
HL- 10"
8001 |
2/54 |
8110 |
12/54 |
8200 |
12/55 |
8355 |
12/56 |
8519 |
12/57 |
LYRIC (1)
A paste-over label on Winner, for Winkworth's stores, Sydney.
Early 1920s.
LYRIC (2)
Pressed by the Klippel Record Co.
Picks up ANGELUS 3000 series after demise of Clifford Industries.
3357 |
late
31 |
3446 |
late
32 |
There was also a short-run S- series from 1000 to 1006.
M
MACQUARIE
Focussed on Italian and German material sourced from Fonit
and Lindstrom-Kristall-Imperial - not an especially bright idea in 1939! At 4/-
they were also expensive.
518 |
39 |
607 |
11/39 |
635 |
3/40 |
660
(last) |
9/40 |
An 8" EL- series ran to only 2 issues - 201 and 202, these were both Bird
call imitations.
Macquarie also processed private recordings. Example
MANHATTAN
A label of Festival Records Pty Ltd. Local masters as well as Savoy and others.
FM- 10"
from late 1952.
2 |
11/52 |
13 |
12/52 |
46 |
3/53 |
64 |
4/53 |
EPM- 10”
94 |
3/53 |
124 |
7/53 |
MELLOTONE
6" record, pressed in late 1920's by Crystalate
for export to Australia.
MELOTONE
Pressed by Clifford Industries for Foy & Gibson stores.
10000- 10"
10000
to 10094 |
29/30 |
First 5 issues prefixed FG-
MEMPHIS
Jazz label from William Holyoak, Adelaide. Pressed by A.R.C. Initially priced
at 10/-, reducing to 8/- in late 1948.
1
to 8 |
c.
48 |
MERCURY
The US label was pressed in both Australia and New Zealand.
1950s
M- 10"
4163 |
8/56 |
4220 |
3/57 |
4256 |
6/57 |
4267 |
8/58 |
MGM
MGM records were pressed in Australia and New
Zealand
100- 10"
344 |
12/50 |
M-G-M 5000 10"
1950s
MICKEY POWELL
Australia experienced a Square Dance craze aound
1954, and several smal local labels capitalised on
this.
Pressed in Melbourne, mid-1950s.
MINSTREL
Pressed mainly by Edison Bell in England for export to New Zealand, see also
HERALD.
1-60 |
13-14 |
2000- 10" (pressed from Favorite masters - by Favorite?)
2000- |
13-14 |
Serial numbers given are the highest seen to date.
MUSOLA
Produced in the UK by Crystalate from 1917 for the Orchestrelle Co, for export to Australia. See also
PHONETO.
NBS
Australia experienced a Square Dance craze around 1954. The National
Broadcasting Service got in on the act.
Pressed in Melbourne, mid-1950s.
NURSERY RHYME
Not to be confused with the much commoner UK Crystalate
6" NURSERY RHYMES record.
6"
1
- 9 |
1931 |
O
ORPHEUS
Custom pressing by Clifford Industries.
10" 7000 (very intermittent)
7021
- 7255 |
c.30 |
P
PACIFIC
An A.R.C. pressing contemporaneous with the RODEO label.
10- 10"
0001 |
1/49
|
0033 |
6/50 |
0072 |
11/51 |
0078 |
5/52 |
0082 |
last |
then
PB- 10"
083-123 |
53 |
25- 10" (red/silver)
00-1-
|
49 |
Parallel release with TASMAN in New Zealand
W- 10"
007 |
1/49
|
042 |
6/50 |
083 |
11/51 |
095 |
53 |
PALINGS
Pressed in Canada by Compo, exclusively for Australia.
10"
19000
- 19009 |
25-26 |
A single issue numbered 629 is also known.
PANACHORD
Pressed by Brunswick (Australia) Ltd
P12000 10"
12096 |
6/31 |
12166 |
9/31 |
12206
|
11/31 |
Some 26 issues (Ex Brunswick) in late 1931 were numbered counting backwards from 12000, for reasons unknown.
PARAMOUNT (I)
(No relation to the famous US label)
Produced in Sydney by Clifford Industries, for retailer Scott Henderson &
Co.
2500 |
mid
28 |
2573 |
late
28 |
PARAMOUNT (II)
(No relation to the famous US label)
Produced in Melbourne by Magasound Recording Co.
P- 10"
001
- 012 |
53 |
PARLOPHONE
A 10" The first 108 issues in the popular A- series were pressed in London.
2108 |
12/26 |
2272 |
10/27 |
2416 |
3/28 |
2643 |
9/28 |
2900 |
12/29 |
3018 |
6/30 |
3084 |
12/30 |
3143 |
6/31 |
3284 |
12/31 |
3406 |
9/32 |
3557 |
2/33 |
3993 |
12/34 |
to |
|
6000 |
12/34 |
6067 |
4/35 |
6278 |
3/36 |
6631 |
36 |
6741 |
12/37 |
6845 |
6/38 |
6984 |
2/39 |
7118 |
8/38 |
7210 |
6/40 |
7280 |
2/41 |
7317 |
7/41 |
7379 |
5/42 |
7421 |
5/43 |
7464 |
10/44 |
7488 |
8/45 |
7506 |
12/45 |
7558 |
12/46 |
7627 |
12/47 |
7654 |
3/48 |
7699 |
12/48 |
7711 |
3/49 |
7729 |
6/49 |
7740 |
7/50 |
7750 |
11/50 |
7777 |
5/51 |
7790 |
7/52 |
7805 |
53 |
7833 |
54 |
7988 |
2/58 |
AR- 12" Half are Richard Tauber
100 |
4/28 |
112 |
6/28 |
139 |
6/31 |
190 |
9/32 |
260 |
12/35 |
310 |
6/37 |
320 |
6/38 |
352 |
8/39 |
364 |
8/41 |
377 |
10/44 |
382 |
12/45 |
390 |
12/46 |
to |
|
407 |
7/55 |
AR1000- 12"
1000 |
6/28 |
1012 |
12/28 |
1049 |
11/32 |
1086 |
12/35 |
1094 |
2/39 |
1133 |
11/47 |
A4000- 12"
4008 |
6/28 |
4034 |
12/28 |
4281 |
6/31 |
4307 |
11/32 |
4486 |
12/37 |
4532 |
6/40 |
4545 |
6/41 |
to |
|
4563 |
4/55 |
A5000- 12" Black label
5000 |
1/29 |
5034 |
11/32 |
GAA5000- 10" For the ethnic Greek community
5007 |
post-1945 |
NZP 10"
5002 |
55 |
5008 |
8/56 |
NZP 10"
39 |
8/56 |
62 |
8/57 |
NZP-3000 10"
3040 |
6/57 |
3050 |
12/57 |
3075 |
8/58 |
TTA1000- 10" For the ethnic Italian community
1006 |
post-1945 |
PEROPHONE
This label followed on from COLONIAL PEROPHONE. carrying on the catalogue to at
least 454.
PHILIPS
B21000-
10" (Locally recorded)
21001 |
6/53 |
-last |
11/57 |
B24000- 10"
24506 |
9/54 |
B25000- 10"
25407 |
9/54 |
B26000- 10"
26113 |
9/54 |
P17000-
10"
17219 |
9/54 |
P19000- 10"
19097
|
9/54 |
P24000- 10"
24522 |
9/54 |
P26000- 10"
26295 |
3/58 |
P28000- 10"
28514 |
9/54 |
PB100- 10"
308 |
9/54 |
P37000- 10" (Locally recorded)
37000-
|
mid
54 to mid 57 |
PHONETO
Produced in the UK by Crystalate from 1917 for the Orchestrelle Co, for export to Australia. See also
MUSOLA.
PLANET
Pressed in Sydney by A.R.C.
PL 10"
1-3
|
4/51 |
PLAZA
Custom pressing by Clifford Industries.
10" 3000 (intermittent, uses Angelus catalogue)
3095
- 3124 |
c.30 |
10" 6000 (intermittent)
6024
- 6039 |
c.30 |
POLYDOR
Pressed by Vocalion, Melbourne, all between March and
August 1928.
W- 10"
101
to 112 |
28 |
21000- 10" Locally pressed from German masters, continued series previously imported since 1926.
21xxx |
28 |
POSSUM
Pressed in the UK by Vocalion and marketed in
Australia in 1917-18 through Allan & Co.
PRESTIGE
PS-0000 10"
0009 |
8/57 |
0020 |
12/57 |
0043 |
9/58 |
PS-1000 10"
1001 |
2/57 |
1032 |
5/57 |
1057 |
12/57 |
PRESTOPHONE
A long running label under Reginald Albert (Rex) Shaw, of whom more should
be written. The early studio was Radio Associated Services Ltd - note the same
initials.
A wide variety of prefixes were used, apparently against the same number
series, including some re-used with differing prefixes. 10" and 12"
could appear on the same prefix. There were also several different label
styles.
RAS 10"
1 |
40 |
163 |
50 |
226 |
50 |
A
10"
56-60 |
2/56 |
X1000- 10"
1009 |
8/37 |
V 10"
1001 |
5/37 |
1005 |
8/37 |
1014 |
4/38 |
X1 10"
1-2 |
late
44 |
Other series known are P-, PR-, RC- & PD-
PROCESS RECORD
Columbia's private recording service
PR- 10"
1 |
37 |
293 |
1/41 |
1075 |
12/46 |
1907 |
2/54 |
last |
59 |
to EMI Custom Service
They also pressed various other labels, recognisable from the Sxxxx matrix, such as Aida, Evangel and the unnamed item
below.
Percy Nicholls (tenor), seen in both black and purple.
DB1000-
10" (William Flynn and the 3DB Orch, ex Radio 3DB)
1001-4 |
mid
51 |
RRM- 10" (Radiola Recording Melbourne)
003-6 |
mid
51 |
RRS- 10" (Radiola Recording Sydney)
007 |
mid
51 |
Later issues with the A- prefix were drawn from Polygon UK (P suffix, gold & blue label), or Telefunken (T suffix, gold & red label)
MR 10"
1049 |
2/56 |
RCA
20- 10"
New Zealand series best known for Elvis on 20-6000 to -7000 titles.
Mid-late 1950s.
50000 10"
50120
to 50199 |
57 |
60000 10"
60005 |
3/58 |
60044 |
10/58 |
REGAL-ZONOPHONE
G20000- 10"
The early part of this series (to about G21700) were
issued on the Regal label, although some issues still in the catalogue were
later repressed on R-Z, so can be found on both.
20009 |
2/27 |
20245 |
6/28 |
20390 |
4/29 |
20566 |
11/29 |
20595 |
2/30 |
20700 |
7/30 |
20825 |
1/31 |
21081 |
9/31 |
21325 |
3/32 |
21380 |
8/32 |
21758 |
7/33 |
21973 |
6/34 |
22436 |
11/35 |
22713 |
6/36 |
23120 |
8/37 |
23356 |
6/38 |
23618 |
9/38 |
23876 |
2/40 |
24041 |
9/40 |
24166 |
2/41 |
24377 |
7/41 |
24460 |
2/42 |
24707 |
5/43 |
24853 |
10/44 |
24924 |
6/45 |
24960 |
12/45 |
25117 |
4/47 |
25153 |
12/47 |
25263 |
12/48 |
25273 |
3/49 |
25284 |
11/50 |
25351 |
11/52 |
25367 |
2/53 |
25379 |
1/54 |
25393 |
11/54 |
25423 |
5/55 |
25434 |
1/56 |
25481 |
1/57 |
25505 |
10/57 |
G25267 onwards is C&W only, and G25294 onwards Australian C&W artists at that.
G
30000 12"
30009 |
4/29 |
30027 |
2/30 |
30049 |
1/31 |
30072 |
6/35 |
30073 |
6/36 |
30083 |
53 |
40101 |
8/37 |
40143 |
6/38 |
40239 |
2/40 |
40275 |
7/41 |
40308 |
8/45 |
RNZ 10"
101
- 103 |
56 |
REGENT
Pressed by Clifford Industries, mostly from Cameo & Gennett masters.
R 10"
1020
- 1078 |
late
28 |
REXOPHONE
Another records produced by Homophon
gmbh for export to Australia from 1911. The
importers were Jackson & Macdonald, of Sydney. Early labels were plain gold
on green, in both 10" and 12" sizes.
In 1915 a new multicoloured design was introduced for records produced by Homophon Co UK, featuring Pan playing his pipes to a
reclining female.
The final purple-label series was produced by J.E. Hough Ltd (of Edison-Bell
fame). Production seems to have ceased in 1917.
RODEO
Produced in both Australia and New Zealand (where it continued on where Tasman
stopped)
10- 10"
0001 |
1/49 |
0018 |
6/50 |
0067 |
then to
R 10"
117 |
6/55 |
125 |
12/56 |
134 |
8/57 |
A TA- series ran in parallel. A few issues are known in an NZ R900 series.
RONDOPHONE
Manufactured in Germany by Homophon gmbh, and sold in Australia between 1912 and 1914, probably
by the British Record Pty Ltd..
ROSEVILLE
Named after the Sydney suburb that Graham Connolly, the producer, lived in.
Jazz concert recordings.
12" PA (3 issues) and 10" PB (2-3 issues). Al l 1950-51.
S
SAVOY
Pressed by Vocalion, Melbourne.
1000- 10"
1000-
|
29 |
SELECTON
1 |
56 |
[More data sought]
SOUTHERN CROSS
A special label pressed by Columbia Graphophone's process studio. Produced by
The Musicians' Union of Australia.
STARR
Another Clifford Industries pressing, Cameo & Gennett masters. Sold through
Coles stores.
10" 700
700
- 751 |
c.30 |
STEBBING (New Zealand)
S 10"
101 |
51 |
118 |
52 |
132 |
53 |
159 |
54 |
J 10"
101 |
51 |
STERLING
Pressed by Clifford Industries (although label states Sterling Record Co).
F1100- 10"
1100
to 1172 |
29/
|
F- prefix dropped after 1109
STONKER
Late 1950s or even later.
Looking like a normal 7" 45rpm disc, this plays at 78rpm, and was
apparently a one-off spoof of some type - note title (HOT MINCE PIES PLEASE),
composer and artist names.
Any information on the production of this gratefully received.
SUMMIT
10"
100 |
late
31 |
238 |
late
32 |
6" Baby Summit
50
to 58 |
late
31 |
SWAGGIE
Label owned by Graeme Bell, Jazz musician.
50 10"
51 |
49 |
56 |
50 |
57 |
53 |
5 |
51 |
TANZA (New Zealand)
To Assist New Zealand Artists.
Pressed by the Recording Corporation of New Zealand, TANZA was New
Zealand's first locally produced gramophone label.
Z (except first four which were unlettered, then 5 through 8 prefixed by 'T')
1 |
2/49 |
24 |
50 |
77 |
12/51 |
105 |
4/52 |
157 |
12/52 |
187 |
6/53 |
212 |
54 |
235 |
12/54 |
252 |
55 |
290 |
56 |
303 |
57 |
312 |
58 |
A CL series (very short) ran for classical recordings. There were also CF and CK (rare).
TASMAN (N.Z.)
TA 10"
001
- 050 |
50 |
to Rodeo (N.Z.)
10- 10" (Parallel issues with PACIFIC 10- series)
0001,
0002, 0006 |
1/49
|
W- 10" (Parallel issues with PACIFIC 10- series)
007 |
1/49
|
042 |
6/50 |
083 |
11/51 |
095 |
53 |
TEMPO
G 10"
1-3 |
mid
49 |
T 10"
001-
|
Sep
48 to early 50 |
See Aeroplane.
UNIVERSAL DOUBLE DISC
Yet another label from the UK Homophone Co, pressed in Germany for the
Australian market around 1912-14. Labels were gold on green or black on
white, with the series running from 8000 to 8400. Issues up to 8200 used
Homophone masters, after that Polyphon-Klingsor-Pilot
were used.
UNIVERSAL RECORD
Very similar in appearance to REXOPHONE and RONDOPHONE, and
also pressed by Homophon gmbh
prior to WW1, this may also be an Australian-only export.
The Aeolian Company in Sydney started importing English Vocalion records in 1925. Some with Australian content, composers or artists, while recorded in England, appear to have only been issued in Australia. In November 1927 the first local pressings from English masters for Vocalion and Aco were issued.
XA18000- 10"
18001 |
28 |
18081
|
30 |
500- 10" A mix of ARC, English Broadcast and Australian masters. Broadcast
masters required smaller size labels.
500 |
7/30 |
717 |
10/30 |
769 |
4/31 |
853 |
8/31 |
VM100- 7" Vocalion Midget. Nursery Rhyme on one
side, public domain song on t'other.
Late 1930, about 16 issues.
VOX HUMANA
Produced by Pathe Freres in London, from US or UK masters from Actuelle or Perfect, for the same sales outlet as Grand
Pree (the Perpetual Trading Association).
1 |
24 |
68
(last) |
26 |
SPN 379 9/57
XPN 491 12/57
Custom record.
WAFER
Flexible 10" card-based, by World Record (Australia) using Austral
matrixes.
1925.
(THE) WENDY
Manufactured in Britain for World Record (Australia) (see Austral)
WILCO
0
to 100 |
early
49 |
124 |
1/51 |
WORTH
7000 10"
7000 |
late
29 |
7065 |
early
30 |
X
XX
A Bill Miller production, pressed by Australian Record Co. Reissues of classic
US Jazz performances.
1 |
3/51 |
15 |
mid
52 |
Z100 10"
102 |
51 |
129 |
late
52 |
148 |
53 |
Z1000 10"
1001 |
57 |
1007 |
9/57 |
1052 |
58 |
1104 |
58 |
ZONOPHONE
A block of numbers was set aside primarily for New Zealand and Australia.
3000 |
5/12 |
3032 |
6/13 |
3049 |
9/14 |
3073 |
10/15 |
3084 |
11/16 |
3105 |
10/17 |
3111 |
7/18 |
3195 |
10/20 |
3221 |
7/21 |
3363 |
2/23 |
3748 |
/24 |
3861 |
12/25 |
286 |
8/25 |
301 |
1/27 |
337 |
10/28 |
344 |
4/29 |
380 |
3/31 |
21 |
2/27 |
105 |
10/28 |
132 |
4/29 |
168 |
11/29 |
181 |
2/30 |
197 |
7/30 |
214 |
12/30 |
225 |
3/31 |
253 |
9/31 |
340 |
32 |
379 |
6/35 |
1 |
6/26 |
5 |
2/27 |
19 |
10/28 |
22 |
4/29 |
27 |
11/29 |
38 |
9/31 |
Other series were also pressed in Australia.
The following Australian labels (most post 1945) are also known to exist, and will be added above when some more data is known
about them.
A.F.O.B.S. (Australian Federation of Broadcasting Stations), AMPLIDISC, A.R.C., ARMSTRONG, ASCA (Australian Society of Composers and Arrangers), ASICO, AWA MARCONI, BLUE LAGOON, BLUE RIBAND, CAPITAL, CHRISTIE'S, CYRIL STEVENS, DALMA, EDISAM, FANFARE, FEATURAUDIO, FLAMINGO, GEORGIA, GILPIN, GOLDEN (6"), GREEK RECORDING CO, HAYMAN HOTEL, HERSCHELLS, HIT OF THE YEAR, HI-TONE, HOHNER, HOLDEN, HOMECRAFT, KINELAB, LEGIONNAIRE, LIBERTY, MAGNASOUND, MELODIANA, MELODY, METRONOME, MICROPHON, MUSIC FOR THE FORCES, NATIONAL, ODYSSEY, OLYMPIA, PARK, PERFECTONE, PITMAN, RANCH, RADIO CENTRE (RC), SILVERTONE, SOUTHERN CROSS, SOUVENIR, SPRING, TELEDISC, TRULIFE, UNIVERSAL, VARSITY, VIS RADIO, WATTLE, WHITE ROSE, ZENITH.
Also these 'sticker' labels are known (and over what).
AMFONOLA (US Regal), BANNER (US Regal),
CAMDEN (Aco), CAMEO (UK Regal), FOSSEYS (US Regal/Oriole), GOLD BELL (UK Aco), JOYPHONE (Brunswick), LILY OF THE
VALLEY (UK Columbia/Winner), McWHIRTERS (UK
Columbia), MASTERPIECE (US Cameo), MELBAPHONE (UK Winner), MELODISC
(Brunswick), MUSIPHONE (Duophone), OLYMPIC (UK Imperial), OMAH/OMAR (Aco/Vocalion),
POPULAR (US Lincoln), PYRAMID (Can Apex), REALTONE (Beltona),
REGENT (UK Regent), ROBERTO (UK Columbia), ROSEBUD (UK Columbia/Regal),
SERENOLA (Banner/Gennett), SIMOLIAN
(various), SNOWS (UK Parlophone), SPECIALLY IMPORTED (US Columbia),
STAR (Aco), THE CAPITOL (Aus Parlophone), TEMPO
(Oriole), WEYMARK (US Cameo).
and also these labels from organisations offering
recording services, generally 'acetates' or radio transcriptions.
4BH, AUSTRALIAN BROADCASTING COMMISSION, BEACON R.S., BOURNE RECORDING, BROADCAST EXCHANGE SERVICES (1) (2), BRS (BYER INDUSTRIES) (1) (2), EARWAY RECORDING SERVICE, HARMONY (1) (2), RECORDING CENTRE , VALLEY RADIO & ELECTRICAL , VITATONE
With
thanks to Mike Sutcliffe (Australian Record & Music Review, innumerable
articles and private correspondence) and Ross Laird, especially his recent book
"Sound Beginnings" (1999) & private correspondence. Also Jack Mitchell, author of Australian Jazz on Record
1925-1980 for help with the smaller labels. And most recently Alan Vogt.
Plus other resources including these journals [ML=Mitchell Library, Sydney, AT=Alexander Turnbull Library, Wellington]:
Further
References
One or two of some rarer items taken from items offered for sale on eBay and
elsewhere. Thanks go the the
various anonymous sellers.
Thanks also to gramophoneshane for some of the
more obscure recording services labels.
Comments (constructive), corrections and additions always welcome => EMAIL ME.